This program is broadcast live, un-scripted and un-rehearsed.
Building. Demolishing. Rennovating.
The choas is captured along with the rising structure.
Construction never pauses, even during the commercials for spray starch and the local ambulance chaser.
Keep the cameras rolling. Let post-production chop it up and splice it together for the re-runs.
The cranes move behind the scenes, backdrop to the hosts’ argument caught in cam 1 and cam 2 over removing water from that hole, patching that piece of pavement, and who is going to make the lunch run.
Jeans, boots, and safety goggles. Gold and orange vests. The night crews are setting the work lights while the stage crews are moving the spot lights.
During the foreman’s spontaneous monologue, the cranes are engaged in movent from the laydown area to the pick zone, setting trusses, christmas-treeing joists, and preparing for the topping-out.
Drama makes the show compelling, but the bricks, the driven nails and the planted cherry trees will be here years after the show is cancelled and the contracts have expired.
Closing shot under the credits and theme music: expanding frame, exterior – the family sits down at the table, laughing as the last one entering the room draws the curtains.